Skip to main content

The Hypnotist / Lars Kepler

The latest sensation in the seemingly unending Swedish crime-thriller juggernaut comes in the form of Lars Kepler, a pseudonym for a husband-wife writing team (the new Sjöwall and Wahlöö?). Their debut novel is called The Hypnotist, a nearly 500-page roller-coaster ride that never stops delivering the thrills. When a doctor is asked to hypnotize a crime victim to find out information about the perpetrator, his revelations cause all hell to break loose.

There is violence aplenty within the pages of this book (it makes me shudder to look at the cover image) and there are a couple criminal monsters who seem to have been created in the same mold as Hannibal Lecter, so this book is definitely not for the faint of heart.

In spite of some instances of unexpected switches of narrator, the story flows quite well and there is a good sense of place— most notably Stockholm around Christmas time with lots of glögg, saffron buns, and advent stars in windows.

I like the character of finlandssvensk police detective Joona Linna, though some of his mannerisms and dialectal idiosyncrasies are probably lost in translation. And you get the notion that Finnish and Ume Sami are one and the same, or else Joona has a remarkable linguistic background—it isn’t explained (Ume Sami apparently only has a handful of speakers left).

This is the first novel in a planned eight-book series. If you were disappointed that the Millennium series stopped before it really got started, then stick around for Lars Kepler’s forthcoming titles. The second book Paganinikontraktet has already been published to good reviews in Sweden, so I’m sure we can expect a translation rather soon.

Comments

Popular posts from this blog

So Much for That / Lionel Shriver

This novel comes from the 2005 Orange Prize winning author of We Need to Talk About Kevin , a disturbing book in which a parent with ambivalent feelings towards motherhood deals with the aftermath of a Columbine-style school killing perpetrated by her son. Lionel Shriver has said that she prefers to create characters that are hard to love, and So Much for That certainly contains some flinty characters, who although they may be hard to love, are nevertheless very believable. The topic this time is healthcare in America. Shep is all ready to launch into an exotic early retirement on the island of Pemba off the eastern coast of Africa, but when his wife reveals a diagnosis of mesothelioma, he must hold on to his job to maintain family health coverage to see her through her devastating illness. His work colleague and friend, Jackson, experiences a medical dilemma completely of his own doing, which proves to be his un doing. Jackson's daughter suffers from an unusual genetic disorde...
This Book Is Overdue! : How Librarians and Cybrarians Can Save Us All / Marilyn Johnson Click here to check availability in AFPLS This book is an interesting collection of essays that offer glimpses into the brave new world of librarianship. It’s sort of the antithesis of Nicholson Baker’s grumpy dissing of librarians in his 2001 book Doublefold . If you thought that librarians are still the be-bunned shushing ladies in wool skirts with reading glasses dangling around their necks on slender gold chains, then this book certainly is overdue for you. The author shows how librarians are morphing and adapting to the new information landscape, meeting new challenges with fewer resources and a public that wants instant gratification in clicks-and-mortar libraries. Meet librarians who offer triage reference services in streets filled with protesters and others who assume alternate identities and inhabit virtual libraries in the cyber universe called Second Life. Learn about how the venerable N...

The Sound of a Wild Snail Eating / Elisabeth Tova Bailey

The snail is a lowly creature, and probably one that most of us have never truly contemplated. The snail was probably a creature to which the author hadn't given much thought before a debilitating disease kept her confined to bed, practically immobile, for months and months. One day a friend put a woodland snail in a pot of violets on her nightstand. After being transported from the woods, the snail had emerged from its shell into the alien territory of my room, with no clue as to where it was or how it had arrived; the lack of vegetation and the desertlike surroundings must have seemed strange. The snail and I were both living in altered landscapes not of our choosing; I figured we shared a sense of loss and displacement. p 20 The companionship of this tiny creature is what sees her through the darkest days of her imprisonment by her horrible disease. The snail, thriving in its slow-mo existence and life of undemanding simplicity, provides interest and comfort to the author. ...