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Murder in the Marais / Cara Black


Okay, so I wanted to find out more about Aimée Leduc, the Parisian gumshoe I was introduced to in Murder in Passy, which was the eleventh in the bestselling series. I rewound to the debut novel, Murder in the Marais. The plot is an interesting (but perhaps overly complicated) tangle of events centered on the Parisian Jewish community involving several murders, two in contemporary times, others dating to World War II. There are Nazi collaborators, a secret contemporary German organization called the Werewolves, French neonazis, corrupt politicians, and more.

I was a little bewildered by language issues— Cara Black liberally sprinkles her dialogue with French interjections, and it all seems a bit faux. French Neonazis spout German catchphrases in a meeting in Paris. I suppose this is possible, though I’m not sure why German would be the lingua franca of skinheads just because the Third Reich was German. (I would find it similarly remarkable that German would be used much in meetings of Idaho chapters of the radical right.) Sarah and Hartmuth, it was stated, could only communicate with gestures and rudimentary French, though later Thierry seems to communicate with his German father sans problème. Maybe he learned German in school, good Sturmführer-wannabe that he was. I don't recall reading that. Entertaining for what it is, I just don't think it's the same class of crime novel as Michael Dibdin or Henning Mankell, for example, but there are legions of fans, so if you like detective fiction, and like Paris, you may like Aimée Leduc. Allez-y!

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