Nothing is better than embellishing a story with the
retelling. It’s a device that has
characterized storytellers from primeval campfires to drunks on bar stools.
Sedaris is the master of embellishment— transforming life’s mundane moments into
absolute hilarity with his deadpan and usually more than slightly cynical
delivery. He gives a bit of insight into his process in this book—journaling
everything and highlighting the unusual or slightly madcap moments that make up
only a sliver of his life. Maybe 95% of
his life is dull, but it’s the 5% that is repackaged in essay form that has
made me a fan. Is it fiction or
nonfiction? Who can say, but it is probably
a little of one, more of the other. This book has plenty
of laugh-out-loud moments, but has some parts that don’t quite make the grade. Still, I think it’s better than his previous
book Squirrel Seeks Chipmunk, which I
only found mildly entertaining.
The latest book by the author of The Kite Runner reads like a collection of short stories, but they are all interconnected. The link between stories isn’t always immediately apparent and there are some diversions that take the reader far from Kabul, and sometimes confusingly so (the detour to Greece was interesting, but a bit disconnected from the rest of the storyline, I thought). There were some great narratives—one in particular that I think was worth the whole of the book— a story about Afghani-American cousins, Idris and Timur, who return to Kabul to attempt to regain an ancestral home, abandoned after the Soviet invasion. While Timur goes out and carouses and flaunts his American wealth, Idris spends most of his time showing charity to a young girl in hospital, a victim of an unspeakable act of violence which leaves her in need of surgery in a western nation. Idris, himself a doctor, promises to arrange the needed medical intervention, but when he returns to the US, the...

Comments
Post a Comment