Nothing is better than embellishing a story with the
retelling. It’s a device that has
characterized storytellers from primeval campfires to drunks on bar stools.
Sedaris is the master of embellishment— transforming life’s mundane moments into
absolute hilarity with his deadpan and usually more than slightly cynical
delivery. He gives a bit of insight into his process in this book—journaling
everything and highlighting the unusual or slightly madcap moments that make up
only a sliver of his life. Maybe 95% of
his life is dull, but it’s the 5% that is repackaged in essay form that has
made me a fan. Is it fiction or
nonfiction? Who can say, but it is probably
a little of one, more of the other. This book has plenty
of laugh-out-loud moments, but has some parts that don’t quite make the grade. Still, I think it’s better than his previous
book Squirrel Seeks Chipmunk, which I
only found mildly entertaining.
A woman viciously murders her seemingly doting husband. We meet up with her several years later in a mental facility, where a therapist tries to get her to speak and to reveal her story. Who is innocent and who is the victim? The answer isn’t straightforward. The resolution to the novel features a real twist that will have the reader questioning the chronology of the different narrative threads in the book. A real page-turner.

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