This wonderful novel, set in the first part of the twentieth
century in England, centers on the character of Ursula Todd. It is a book of alternate histories. Each chapter takes up a version of her life
and frequently ends with “darkness falling”.
She has this sixth sense that she can see the future, it’s all a little déjà vu, and indeed in some instances
she tries to sway the outcome of events if she knows it’s going to go a certain
way. It’s a little like the movie Groundhog
Day. Interesting to see how differently
things could turn out on the basis of seemingly inconsequential events.
If you like your mysteries set in European locales, here’s a Parisian detective series that is sure to please. Aimée Leduc is a private eye, born of a French career detective and an absentee American mother (brief hints of angst over this in this installment). She’s appeared in about ten adventures, always set in iconic Parisian neighborhoods : Murder in the Marais, Murder in the Bastille, Murder in Montmartre, and Murder in the Latin Quarter , to name a few. In Murder in Passy (Paris’s tony XVIe arrondissement), Aimée finds herself mixed up in a murderous intrigue involving the French arm of the Basque nationalist movement. The final chase involves the kidnapping of a Spanish princess, a secret torture chamber used by the Gestapo in WWII, and a rooftop escape. The author sprinkles enough French words into the dialogue to either annoy you or make you feel your French 101 was not for nothing— Zut alors! très chic, c’est parfait, désolé, c’est tout! Oh, and Aimée’s frequent stop...

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