Mary Norris is a longtime copy editor at the esteemed New Yorker, the literary weekly that is known for its razor-sharp focus on fact-checking and punctilious attention to grammar and style. Though Norris ruminates on many stylistic issues like the serial comma and the proper use of hyphens (yikes, sure I’ve made errors above), this book is far from another Strunk & White. In between musings on grammar and style, Norris fills the book with interesting anecdotes about the culture and personalities behind the scenes at The New Yorker and adds some color from her Cleveland upbringing and years leading to her career in publishing. At the end of this short book is a wonderful ode to the pencil, and a detailed description of a visit to the Paul A. Johnson Pencil Sharpener Museum in Logan, Ohio. It reads almost like an essay from The New Yorker itself, which I suppose makes sense! Must go to that museum (uh-oh, sentence fragment).
A woman viciously murders her seemingly doting husband. We meet up with her several years later in a mental facility, where a therapist tries to get her to speak and to reveal her story. Who is innocent and who is the victim? The answer isn’t straightforward. The resolution to the novel features a real twist that will have the reader questioning the chronology of the different narrative threads in the book. A real page-turner.

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