Mary Norris is a longtime copy editor at the esteemed New Yorker, the literary weekly that is known for its razor-sharp focus on fact-checking and punctilious attention to grammar and style. Though Norris ruminates on many stylistic issues like the serial comma and the proper use of hyphens (yikes, sure I’ve made errors above), this book is far from another Strunk & White. In between musings on grammar and style, Norris fills the book with interesting anecdotes about the culture and personalities behind the scenes at The New Yorker and adds some color from her Cleveland upbringing and years leading to her career in publishing. At the end of this short book is a wonderful ode to the pencil, and a detailed description of a visit to the Paul A. Johnson Pencil Sharpener Museum in Logan, Ohio. It reads almost like an essay from The New Yorker itself, which I suppose makes sense! Must go to that museum (uh-oh, sentence fragment).
If you like your mysteries set in European locales, here’s a Parisian detective series that is sure to please. Aimée Leduc is a private eye, born of a French career detective and an absentee American mother (brief hints of angst over this in this installment). She’s appeared in about ten adventures, always set in iconic Parisian neighborhoods : Murder in the Marais, Murder in the Bastille, Murder in Montmartre, and Murder in the Latin Quarter , to name a few. In Murder in Passy (Paris’s tony XVIe arrondissement), Aimée finds herself mixed up in a murderous intrigue involving the French arm of the Basque nationalist movement. The final chase involves the kidnapping of a Spanish princess, a secret torture chamber used by the Gestapo in WWII, and a rooftop escape. The author sprinkles enough French words into the dialogue to either annoy you or make you feel your French 101 was not for nothing— Zut alors! très chic, c’est parfait, désolé, c’est tout! Oh, and Aimée’s frequent stop...

Comments
Post a Comment