Mary Norris is a longtime copy editor at the esteemed New Yorker, the literary weekly that is known for its razor-sharp focus on fact-checking and punctilious attention to grammar and style. Though Norris ruminates on many stylistic issues like the serial comma and the proper use of hyphens (yikes, sure I’ve made errors above), this book is far from another Strunk & White. In between musings on grammar and style, Norris fills the book with interesting anecdotes about the culture and personalities behind the scenes at The New Yorker and adds some color from her Cleveland upbringing and years leading to her career in publishing. At the end of this short book is a wonderful ode to the pencil, and a detailed description of a visit to the Paul A. Johnson Pencil Sharpener Museum in Logan, Ohio. It reads almost like an essay from The New Yorker itself, which I suppose makes sense! Must go to that museum (uh-oh, sentence fragment).
This novel comes from the 2005 Orange Prize winning author of We Need to Talk About Kevin , a disturbing book in which a parent with ambivalent feelings towards motherhood deals with the aftermath of a Columbine-style school killing perpetrated by her son. Lionel Shriver has said that she prefers to create characters that are hard to love, and So Much for That certainly contains some flinty characters, who although they may be hard to love, are nevertheless very believable.
The topic this time is healthcare in America. Shep is all ready to launch into an exotic early retirement on the island of Pemba off the eastern coast of Africa, but when his wife reveals a diagnosis of mesothelioma, he must hold on to his job to maintain family health coverage to see her through her devastating illness. His work colleague and friend, Jackson, experiences a medical dilemma completely of his own doing, which proves to be his un doing. Jackson's daughter suffers from an unusual genetic disorde...
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