The plot has a lot for which to thank Alfred Hitchcock’s Rear Window. This time it’s not Jimmy Stewart, but a woman named Anna, an unreliable narrator á la Girl on the Train, whose pharmaceutical and alcohol-induced stupors cast doubt on her accusation of having witnessed a murder through her window in the house across the way. She is an agoraphobe, an affliction that keeps her prisoner in her house, and we only gradually find out the reason for this.
There is a surprise ending and a suspenseful conclusion, which is quite the page-turner. I thought the plot was tightly developed and the connections worked well. There was a movie made starring Amy Adams, which only received middling reviews. Nevertheless, the book is a mystery/thriller that is certainly worth a read.
The latest book by the author of The Kite Runner reads like a collection of short stories, but they are all interconnected. The link between stories isn’t always immediately apparent and there are some diversions that take the reader far from Kabul, and sometimes confusingly so (the detour to Greece was interesting, but a bit disconnected from the rest of the storyline, I thought). There were some great narratives—one in particular that I think was worth the whole of the book— a story about Afghani-American cousins, Idris and Timur, who return to Kabul to attempt to regain an ancestral home, abandoned after the Soviet invasion. While Timur goes out and carouses and flaunts his American wealth, Idris spends most of his time showing charity to a young girl in hospital, a victim of an unspeakable act of violence which leaves her in need of surgery in a western nation. Idris, himself a doctor, promises to arrange the needed medical intervention, but when he returns to the US, the...
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