The plot has a lot for which to thank Alfred Hitchcock’s Rear Window. This time it’s not Jimmy Stewart, but a woman named Anna, an unreliable narrator á la Girl on the Train, whose pharmaceutical and alcohol-induced stupors cast doubt on her accusation of having witnessed a murder through her window in the house across the way. She is an agoraphobe, an affliction that keeps her prisoner in her house, and we only gradually find out the reason for this.
There is a surprise ending and a suspenseful conclusion, which is quite the page-turner. I thought the plot was tightly developed and the connections worked well. There was a movie made starring Amy Adams, which only received middling reviews. Nevertheless, the book is a mystery/thriller that is certainly worth a read.
If you like your mysteries set in European locales, here’s a Parisian detective series that is sure to please. Aimée Leduc is a private eye, born of a French career detective and an absentee American mother (brief hints of angst over this in this installment). She’s appeared in about ten adventures, always set in iconic Parisian neighborhoods : Murder in the Marais, Murder in the Bastille, Murder in Montmartre, and Murder in the Latin Quarter , to name a few. In Murder in Passy (Paris’s tony XVIe arrondissement), Aimée finds herself mixed up in a murderous intrigue involving the French arm of the Basque nationalist movement. The final chase involves the kidnapping of a Spanish princess, a secret torture chamber used by the Gestapo in WWII, and a rooftop escape. The author sprinkles enough French words into the dialogue to either annoy you or make you feel your French 101 was not for nothing— Zut alors! très chic, c’est parfait, désolé, c’est tout! Oh, and Aimée’s frequent stop...
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