Gone Girl / Gillian Flynn

Amazing and seemingly perfect Amy goes missing on her fifth wedding anniversary. The police quickly find evidence that suggests her husband, Nick, may be implicated in her disappearance. The story is first told in Nick’s voice and subsequent chapters suggest an alternative history made up of entries from Amy’s diary, describing a disintegrating marriage and a wife increasingly fearful of her husband. The diary makes Nick look like an unbalanced husband capable of murder until halfway through the book when the narrative does a complete turnaround and we find out that Amy may not be the victim we were led to believe after all.

It’s a gripping story, one that’s not easy to put down, and has overtones of Scott Turow’s Presumed Innocent or the movie Fatal Attraction. Amy and Nick, two unreliable narrators, make this a guessing game until the finish, and the novel’s resolution will probably be a surprise to everyone. With the right cast, this will surely make a blockbuster movie.

Before I read Gone Girl I tried to read The Night Circus by Erin Morgenstern, but since I found it was like plodding through a literary swamp, I abandoned it after 200 pages. Two hundred pages is giving the book a fair shake, right? I felt there was so little narrative tension halfway through the novel that I just couldn’t keep with it. There was so much talk about color schemes, I swear it could have been sponsored by Sherwin Williams or HGTV. For a book about magic, I wish it had had just a little of the written magic of another circus book like Water for Elephants. It's been awhile since I've abandoned a book, but I just had to change the channel. I know people have loved this title, but for some reason it just wasn't for me.

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Here we are / Graham Swift

This short novel offers a nostalgic look at England in the 1940s and 1950s. Evie, having just lost her husband after a long marriage, looks back at the fateful summer when they met up at the pleasure palace at the end of the Brighton pier. Evie was meant to marry someone else, Ronnie Doane, aka “The Great Pablo,” a magician whose talents really pull in the crowds in the days before television kept people in their front rooms (and to whom she serves as the feather-plumed magician’s assistant). The novel tells of Ronnie’s back story as a London child war evacuee, whose second family in Oxford is so nurturing and loving that he is conflicted about going back to his real home when the war is over. But Evie marries Jack instead and is ghosted (quite literally) by Ronnie even in her final years of life. A wonderful story about people and relationships.

So Much for That / Lionel Shriver

This novel comes from the 2005 Orange Prize winning author of We Need to Talk About Kevin , a disturbing book in which a parent with ambivalent feelings towards motherhood deals with the aftermath of a Columbine-style school killing perpetrated by her son. Lionel Shriver has said that she prefers to create characters that are hard to love, and So Much for That certainly contains some flinty characters, who although they may be hard to love, are nevertheless very believable. The topic this time is healthcare in America. Shep is all ready to launch into an exotic early retirement on the island of Pemba off the eastern coast of Africa, but when his wife reveals a diagnosis of mesothelioma, he must hold on to his job to maintain family health coverage to see her through her devastating illness. His work colleague and friend, Jackson, experiences a medical dilemma completely of his own doing, which proves to be his un doing. Jackson's daughter suffers from an unusual genetic disorde...

Murder in Passy, An Aimée Leduc Investigation / Cara Black

If you like your mysteries set in European locales, here’s a Parisian detective series that is sure to please. Aimée Leduc is a private eye, born of a French career detective and an absentee American mother (brief hints of angst over this in this installment). She’s appeared in about ten adventures, always set in iconic Parisian neighborhoods : Murder in the Marais, Murder in the Bastille, Murder in Montmartre, and Murder in the Latin Quarter , to name a few. In Murder in Passy (Paris’s tony XVIe arrondissement), Aimée finds herself mixed up in a murderous intrigue involving the French arm of the Basque nationalist movement. The final chase involves the kidnapping of a Spanish princess, a secret torture chamber used by the Gestapo in WWII, and a rooftop escape. The author sprinkles enough French words into the dialogue to either annoy you or make you feel your French 101 was not for nothing— Zut alors! très chic, c’est parfait, désolé, c’est tout! Oh, and Aimée’s frequent stop...

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