Skip to main content

Münster's Case / Håkan Nesser


A group of old men makes a small winning with the lottery and after their celebratory bender, 72-year-old Waldemar Leverkuhn ends up dead at home in his bed with twenty-eight stab wounds. The same night one of his drinking buddies disappears, and several days later the concierge’s wife from the Leverkuhns' building is reported missing.  Is someone stalking senior citizens?  Are the cases even related?  When Fru Leverkuhn confesses to the murder of her husband, it seems that the case is solved… or is it?  Truth be told, this novel didn’t really pick up until about page 200 for me, which is a shame, because the last 100 or so pages were well worth it and the plotline is really rather clever, with the reader guessing until the last page about motives and responsible parties.

This was the first Håkan Nesser  novel that I’d read. I picked it up because of my fondness for Scandinavian mystery/thrillers and the fact that it had both a “ü” and an “å” on the cover.  Münster's Case is billed as an Inspector Van Veeteren Mystery, but this character only appears in this book peripherally.  It’s Münster's case, after all.  Nesser is a Swedish writer, but this series takes place in what appears to be the Netherlands (place names, guilders, and lots of canals hint at this), but Maardam is impossible to place on the map and there are German and Slavic names used that cloud the identity of the surroundings.  I wish it had a stronger sense of place. I always like to get maps out and look at pictures of where things happen.  Have to rely totally on your mind’s eye in this series, though that’s probably not a bad thing. I was also confused by the use of Swedish “fru,” “fröken” and even “salutorget,” (market square) when it was so clearly not Sweden.  I wonder if this was just an artifact of the translation. The UK version of the novel was perhaps more appropriately titled The Unlucky Lottery—I think that’s a better title.  I’ll probably read Nesser again, but not before I read another by Henning Mankell, who remains the true master.  Which reminds me, I need to see the new PBS episodes of Wallander!

Comments

Popular posts from this blog

Here we are / Graham Swift

This short novel offers a nostalgic look at England in the 1940s and 1950s. Evie, having just lost her husband after a long marriage, looks back at the fateful summer when they met up at the pleasure palace at the end of the Brighton pier. Evie was meant to marry someone else, Ronnie Doane, aka “The Great Pablo,” a magician whose talents really pull in the crowds in the days before television kept people in their front rooms (and to whom she serves as the feather-plumed magician’s assistant). The novel tells of Ronnie’s back story as a London child war evacuee, whose second family in Oxford is so nurturing and loving that he is conflicted about going back to his real home when the war is over. But Evie marries Jack instead and is ghosted (quite literally) by Ronnie even in her final years of life. A wonderful story about people and relationships.

So Much for That / Lionel Shriver

This novel comes from the 2005 Orange Prize winning author of We Need to Talk About Kevin , a disturbing book in which a parent with ambivalent feelings towards motherhood deals with the aftermath of a Columbine-style school killing perpetrated by her son. Lionel Shriver has said that she prefers to create characters that are hard to love, and So Much for That certainly contains some flinty characters, who although they may be hard to love, are nevertheless very believable. The topic this time is healthcare in America. Shep is all ready to launch into an exotic early retirement on the island of Pemba off the eastern coast of Africa, but when his wife reveals a diagnosis of mesothelioma, he must hold on to his job to maintain family health coverage to see her through her devastating illness. His work colleague and friend, Jackson, experiences a medical dilemma completely of his own doing, which proves to be his un doing. Jackson's daughter suffers from an unusual genetic disorde...

Murder in Passy, An Aimée Leduc Investigation / Cara Black

If you like your mysteries set in European locales, here’s a Parisian detective series that is sure to please. Aimée Leduc is a private eye, born of a French career detective and an absentee American mother (brief hints of angst over this in this installment). She’s appeared in about ten adventures, always set in iconic Parisian neighborhoods : Murder in the Marais, Murder in the Bastille, Murder in Montmartre, and Murder in the Latin Quarter , to name a few. In Murder in Passy (Paris’s tony XVIe arrondissement), Aimée finds herself mixed up in a murderous intrigue involving the French arm of the Basque nationalist movement. The final chase involves the kidnapping of a Spanish princess, a secret torture chamber used by the Gestapo in WWII, and a rooftop escape. The author sprinkles enough French words into the dialogue to either annoy you or make you feel your French 101 was not for nothing— Zut alors! très chic, c’est parfait, désolé, c’est tout! Oh, and Aimée’s frequent stop...