The plot has a lot for which to thank Alfred Hitchcock’s Rear Window. This time it’s not Jimmy Stewart, but a woman named Anna, an unreliable narrator á la Girl on the Train, whose pharmaceutical and alcohol-induced stupors cast doubt on her accusation of having witnessed a murder through her window in the house across the way. She is an agoraphobe, an affliction that keeps her prisoner in her house, and we only gradually find out the reason for this.
There is a surprise ending and a suspenseful conclusion, which is quite the page-turner. I thought the plot was tightly developed and the connections worked well. There was a movie made starring Amy Adams, which only received middling reviews. Nevertheless, the book is a mystery/thriller that is certainly worth a read.
This short novel offers a nostalgic look at England in the 1940s and 1950s. Evie, having just lost her husband after a long marriage, looks back at the fateful summer when they met up at the pleasure palace at the end of the Brighton pier. Evie was meant to marry someone else, Ronnie Doane, aka “The Great Pablo,” a magician whose talents really pull in the crowds in the days before television kept people in their front rooms (and to whom she serves as the feather-plumed magician’s assistant). The novel tells of Ronnie’s back story as a London child war evacuee, whose second family in Oxford is so nurturing and loving that he is conflicted about going back to his real home when the war is over. But Evie marries Jack instead and is ghosted (quite literally) by Ronnie even in her final years of life. A wonderful story about people and relationships.
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